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WIDA ELL CAN DO Booklets Set of 5 (PreK-12) $35.00 This handy resource is durable and ideal for working with students, parents/guardians, general education teachers, administrators, and all other stakeholders in the education of English language learners. The CAN DO descriptors serve as a guide for how to differentiate instruction to ELL students. This set comes with five separate, spiral-bound books in clusters of Grades PreK-K, 1-2, 3-5, 6-8, … |
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Can Do it $6 Can Do it |
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Can Do! $18.65 Can Do! |
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Can Do It $7.45 Can Do It |
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No Can Do $6 No Can Do – Tech N9Ne |
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My Can Do Can Do Book $18.65 My Can Do Can Do Book |
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Anything You Can Do, I Can Do $10.41 Anything You Can Do, I Can Do |
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Can Do $4.99 We believe it is important to preserve what makes music special, and make it easy to craft listening experiences. At MOG, browse millions songs and play them instantly. Or just turn on radio where you can stop and replay songs. You can also create playlists for any occasion, and even download songs to your mobile. We are dedicated to employing the cleanest but most powerful technology so you can enjoy music as much as ever. |
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You Can Do It $6 You Can Do It – No Doubt |
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I Can Do It $9.45 I Can Do It |
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Head First Scwcd $16.3 From the Publisher: Isn’t it time *you* learned the latest (J2EE 1.4) versions of Servlets and JSPs? This book will get you up to speed. You’ll know Servlets and JSPs so well that you can pass the Sun Certified Web Component Developer (SCWCD) 1.4 exam. Maybe you don’t care about the exam, but need to use Servlets and JSPs in your next project. You’re working on a deadline. You’re over the legal limit for caffeine. You can’t waste your time with a book that makes sense only AFTER you’re an expert (or that puts you to sleep). No problem. Head First Servlets and JSP drives knowledge straight into your brain (without sharp instruments). You’ll interact with servlets and JSPs in ways that help you learn quickly and deeply, and most important — you’ll be able to use what you learn. Find out why so many reviewers call it a page-turner. We won’t get you through the exam only to fall asleep, or forget everything the next day. Learn how to write servlets and JSPs, what makes the Container tick (and what ticks it off), how to use the JSP Expression Language, what you should NOT write in a JSP, how to write deployment descriptors, secure applications, and even use some server-side design patterns. You won’t just pass the exam, you will understand this stuff and be able to put it to work. This new exam is tough. Much tougher than the previous version of the SCWCD. We know — *we created it*. (Not that it EVER occurred to us that if we made the exam really hard, you’d have to buy a study guide to pass it.) The least we could do is give you a stimulating, fun way to pass the thing. (If you’re one of the thousands who used Head First EJB to pass the SCBCD exam, you know what to expect!) |
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Names and Titles of God $21.68 God”s names, titles, and descriptors are windows into His character. As we learn His names and meditate on them, we come to know Him more intimately, we begin to trust Him more fully, and we find our hearts drawn ever more passionately to do His will here on earth as it is in heaven. Chapters include: 1.Most High God 2.God of Might 3.Yahweh, I AM, the Eternal God 4.God Our Creator 5.Holy and Righteous One 6.God Our Lord and King 7.God Our Fortress and Protector 8.The LORD Our Provider and Shepherd 9.Abba, Father 10.God of All Grace 11.God Our Savior and Redeemer The book includes discussions of 120 core names, titles, and descriptors of God (with about 219 variations). You”ll find Hebrew and Greek word studies, a catalog of songs and hymns for each lesson, probing discussion questions, and a detailed index. The study can be used for personal enrichment, by small groups and classes, and by teachers and preachers. |
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Wine and Conversation $1.64 The vocabulary of wine is large and exceptionally vibrant — from straight-forward descriptive words like “sweet” and “fragrant”, colorful metaphors like “ostentatious” and “brash”, to the more technical lexicon of biochemistry. The world of wine vocabulary is growing alongside the current popularity of wine itself, particularly as new words are employed by professional wine writers, who not only want to write interesting prose, but avoid repetition and cliché. The question is, what do these words mean? Can they actually reflect the objective characteristics of wine, and can two drinkers really use and understand these words in the same way?In this second edition of Wine and Conversation, linguist Adrienne Lehrer explores whether or not wine drinkers (both novices and experts) can in fact understand wine words in the same way. Her conclusion, based on experimental results, is no. Even though experts do somewhat better than novices in some experiments, they tend to do well only on wines on which they are carefully trained and/or with which they are very familiar. Does this mean that the elaborate language we use to describe wine is essentially a charade? Lehrer shows that although scientific wine writing requires a precise and shared use of language, drinking wine and talking about it in casual, informal setting with friends is different, and the conversational goals include social bonding as well as communicating information about the wine. Lehrer also shows how language innovation and language play, clearly seen in the names of new wines and wineries, as well as wine descriptors, is yet another influence on the burgeoning and sometimes whimsical world of wine vocabulary. |
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Witnessing the Disaster $29.95 Histories, films, stories, novels, memorials, museums, and survivor testimonies involve problems of witnessing: how do those who survived, and those who lived long after the Holocaust, make clear to us what happened? How can we distinguish between more and less authentic accounts? Are histories more adequate descriptors of the horror than narrative? Does the susceptibility of survivor accounts to faulty memory and the vestiges of trauma make them less useful as instruments of witness? And how do we authenticate their accuracy without giving those who deny the Holocaust a small but dangerous foothold? These essayists move past the idea that the Holocaust defies representation. They consider the ethical imperatives of Holocaust representation and the tension between history and memory. |
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Witnessing the Disaster: Essays on Representation and the Holocaust $17.22 New – Histories, films, stories, novels, memorials, museums, and survivor testimonies involve problems of witnessing: how do those who survived, and those who lived long after the Holocaust, make clear to us what happened? How can we distinguish between more and less authentic accounts? Are histories more adequate descriptors of the horror than narrative? Does the susceptibility of survivor accounts to faulty memory and the vestiges of trauma make them less useful as instruments of witness? And |
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Witnessing the Disaster: Essays on Representation and the Holocaust $29.95     Witnessing the Disaster examines how histories, films, stories and novels, memorials and museums, and survivor testimonies involve problems of witnessing: how do those who survived, and those who lived long after the Holocaust, make clear to us what happened? How can we distinguish between more and less authentic accounts? Are histories more adequate descriptors of the horror than narrative? Does the susceptibility of survivor accounts to faulty memory and the vestiges of trauma make them any more or less useful as instruments of witness? And how do we authenticate their accuracy without giving those who deny the Holocaust a small but dangerous foothold?     These essayists aim to move past the notion that the Holocaust as an event defies representation. They look at specific cases of Holocaust representation and consider their effect, their structure, their authenticity, and the kind of knowledge they produce. Taken together they consider the tension between history and memory, the vexed problem of eyewitness testimony and its status as evidence, and the ethical imperatives of Holocaust representation. |
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Witnessing the Disaster: Essays on Representation and the Holocaust $20.06 New – Histories, films, stories, novels, memorials, museums, and survivor testimonies involve problems of witnessing: how do those who survived, and those who lived long after the Holocaust, make clear to us what happened? How can we distinguish between more and less authentic accounts? Are histories more adequate descriptors of the horror than narrative? Does the susceptibility of survivor accounts to faulty memory and the vestiges of trauma make them less useful as instruments of witness? And |
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Witnessing the Disaster: Essays on Representation and the Holocaust $16.5 Used – “Witnessing the Disaster” examines how histories, films, stories and novels, memorials and museums, and survivor testimonies involve problems of witnessing: how do those who survived, and those who lived long after the Holocaust, make clear to us what happened? How can we distinguish between more and less authentic accounts? Are histories more adequate descriptors of the horror than narrative? Does the susceptibility of survivor accounts to faulty memory and the vestiges of trauma make th |
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Witnessing the Disaster: Essays on Representation and the Holocaust $18.94 Used – “Witnessing the Disaster” examines how histories, films, stories and novels, memorials and museums, and survivor testimonies involve problems of witnessing: how do those who survived, and those who lived long after the Holocaust, make clear to us what happened? How can we distinguish between more and less authentic accounts? Are histories more adequate descriptors of the horror than narrative? Does the susceptibility of survivor accounts to faulty memory and the vestiges of trauma make th |
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